The film's use of the Adarna tale ends mid-tale, when Andres and his brother are killed by Aguinaldo's men.
The film's use of the Adarna tale ends mid-tale, when Andres and his brother are killed by Aguinaldo's men.Tags: Essay Set UpEssay Of All That Glitters Is Not GoldBrand Preference Dissertation10 Page Research Paper StructureSample High School Research PaperIb Extended Essay Annotated BibliographyUnc Essays
That being said, for all the accusations of supposed theatricality, Mario O'Hara's flawed yet masterful Ang Paglilitis ni Andres Bonifacio (The Trial of Andres Bonifacio) is truly cinematic, probably the most important and cinematic creation that the Cinemalaya Film Festival ever produced in its six years of existence.By scripting the trial as it was recorded up to the final recount of Lazaro Macapagal who read to Andres and his brother Aguinaldo's verdict, utilizing theater actors to play historical figures as if they were acting on stage for immediate audiences and hence enunciating words, expanding odily gestures, and utilizing exaggerated acting styles, and employing several theatrical and literary devices, OHara treats history as literature and more specifically, treats the trial of Bonifacio as fiction, dramatized and romanticized.This film's form, as described above, aptly sets the tone for the grandiose stage play that is Bonifacio's trial, a proceeding set-up to emulate a sense of fairness and Justice in the dilemma of legitimately dispatching the utmost symbol of the revolution.Both draw inspiration from Bonifacio and the patriotic mass movement.The supremo taught the Filipino people the value of loving the motherland and the need to defend it against foreign oppressors and plunderers.We have seen this happen with Marilou Diaz- Abaya's Jose Rizal (1998), a film that attempted to film Jose Rizal's life as fact that it only succeeded in being both glossy yet tepid, as compared to Mike De Leon's Bayaning Third World (Third World Hero, 2000), a film that has experiential knowledge f the impossibility of committing history to celluloid that it resigned itself to deconstructing the hero and what it has become in the present age.The film, self-consciously theatrical from its very first frame up to the last, eschews reverence for its depiction of history.When a film is described as poetic, it is often taken as a compliment.However, when a film is described as theatrical, it is seen as a critique, scathing at that. Isn't cinema but a visual and aural interplay of poetry and theater to begin with?After his death, the ilustrados seized the leadership of the Katipunan, undermining the revolutionary enthusiasm of its members via one compromise after another. More than just a dead hero or a landmark monument in Caloocan, Bonifacio remains a major influence in the Filipino people’s struggle for genuine independence.The pre-martial law organization Kabataang Makabayan, for instance, was founded on the hero’s birth anniversary, and so was the progressive youth group Anakbayan.