Salvador Dali Essay

Salvador Dali Essay-17
Drawing on blatantly autobiographical material and childhood memories, Dalí's work is rife with often ready-interpreted symbolism, ranging from fetishes and animal imagery to religious symbols.Dalí subscribed to Surrealist André Breton's theory of automatism, but ultimately opted for his own self-created system of tapping the unconscious termed "paranoiac critical," a state in which one could simulate delusion while maintaining one's sanity.Because of this, he was badly bullied in school, and by his father.

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"The fact that I myself, at the moment of painting, do not understand my own pictures, does not mean that these pictures have no meaning; on the contrary, their meaning is so profound, complex, coherent, and involuntary that it escapes the most simple analysis of logical intuition." century and the most famous Surrealist.

Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, and, perhaps most famously, filmmaking in his collaborations with Luis Buñuel and .

It is said that Dalí was a virgin when he met Gala and that he later encouraged his wife to have affairs to satisfy her sexual desires.

Later in life when his paintings turned to religious and philosophical themes, Dalí would tout chastity as a door to spirituality.

These account for some of the iconic and now ubiquitous images through which Dalí achieved tremendous fame during his lifetime and beyond.

Salvador Dali Essay

Obsessive themes of eroticism, death, and decay permeate Dalí's work, reflecting his familiarity with and synthesis of the psychoanalytical theories of his time.

Paradoxically defined by Dalí himself as a form of "irrational knowledge," this method was applied by his contemporaries, mostly Surrealists, to varied media, ranging from cinema to poetry to fashion.

The self-assured Dalí famously retorted, "I myself am Surrealism." After, members of the Surrealists would have a tumultuous relationship with him, sometimes honoring the artist, and other times disassociating themselves from him.

The distinction between hard and soft objects highlights Dalí's desire to flip reality lending to his subjects characteristics opposite their usually inherent properties, an un-reality often found in our dreamscapes.

They are surrounded by a swarm of ants hungry for the organic processes of putrefaction and decay of which Dalí held unshakable fascination.

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