Thesis Of The French Revolution

Thesis Of The French Revolution-13
The immediate causes of the revolution were the rising price of bread and the locking of the third estate out of its meeting hall.Finally, the spark was the ordering of the Swiss guards to Paris by Louis the XVI.Another immediate cause was the locking of the third estate out of its meeting hall.

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It is commonly believed that the music of the French Revolution (1789-1799) represented an unusual rupture in compositional praxis.

Suddenly patriotic hymns, chansons, operas and instrumental works overthrew the supremacy of music merely for entertainment as the staple of musical life in France.

Causes of the French Revolution On July 14, 1789, several starving working people of Paris and sixty soldiers seized control of the Bastille, forever changing the course of French history.

The seizing of the Bastille wasn’t caused by one event, but several underlying causes such as the Old Regime, the raising of taxes, the American revolution, and the idea and beliefs of the philosophes.

One document, “Paris Scenes,” written by Louis Sébastien Mercier before 1789, foreshadowed the violence which was to come to Paris. Anne-Robert-Jacques Turgot wrote, “Because it takes a long time before we are convinced of their inutility, foundations have sometimes become positively harmful before they have even been suspected of being useless.”[1] One could apply this reasoning to the French monarchy in the late 18th century, particularly in the reigns of Louis XV and his grandson, Louis XVI, neither of whom possessed the sheer intimidating will of Louis XIV. The function of caricature within the public sphere can be described as a subversive weapon.[1] It can be said that caricature as a subversive medium can function as an instigator of social, political and artistic change...

During the Revolution Mercier served as a deputy of the Convention and was connected to the Girondins. provides undergraduate and graduate students around the world a platform for the wide dissemination of academic work over a range of core disciplines.The third underlying cause was the American Revolution.The French had incurred an enormous debt by helping the Americans.“ Nor have we settled in our minds the difference between disturbance and revolution.” Paris workers based this symbol of the Revolution on sadistic acts, again illustrating the violence that would consistently be exhibited throughout the duration of the Revolution, once again supporting Furet’s argument. Read Article »The British Empire of the nineteenth century displayed and embodied racism in its composite.Before the Bastille the Réveillon riots were cited as chaotic, so violent acts were not unexpected, yet the volume of violence was increasing as the Revolution progressed. In embodying this idea of racial inequality, the Empire created grounds on which it could justify the imperialist actions that it executed throughout the...The second chapter will consider the ways in which this perspective was adopted and transformed by the Revolutionary authorities, who sought a system of music (and the arts) which could inculcate Republican principles.In the last chapter, I will complete the present study by examining the nature of the Revolution’s political music itself, evaluating two case studies and taking into account modern scholarship’s interpretation of the repertoire.The grain harvest had been low the previous year, so the price of bread rose.Bread was usually the only thing that the poor ate, and raising prices would make them starve (Krieger 484).The French Revolution marks a stain in history, notorious for one of the bloodiest periods in modern civilization.Whether this infamous violence existed at the birth of the Revolution or only during the Violence was predicted even before tensions peaked in France, and undeniably was existent during the beginning stages of the Revolution. 18.) Ibid If the mainspring of popular government in peacetime is virtue, the mainspring of popular government in revolution is both virtue and terror: virtue, without which terror is disastrous; terror, without which virtue is powerless.


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